published writing

Chicago Reader

A rare peek at the early practice of Betye Saar, “Let’s Get It On: The Wearable Art of Betye Saar” Exhibition Review

Liberate the flesh, “Leather and Fur: Uncommitted Crimes” Exhibition Review

Diana Solis and Patric McCoy document LGBTQ+ joy, “Just Below the Surface” Exhibition Review

AI meets Afrofuturism, “Revisionist History” Exhibition Review

‘Felicific’ makes the old new again, “Felicific” Exhibition Review

Cooperation Racine: A Black feminist ethos in art and action, EXPO Chicago Spotlight

Abstract language and sacred knowing, “Unsewn Time: Kameelah Janan Rasheed” Exhibition Review

Embodied growth, “Outmoded Shapes” Exhibition Review

A meditation on the flow of being, “The Beautiful Ones Are Not Yet Born” Exhibition Review

New City

Choreograph the Unknown: A Review of Erol Scott Harris at cam.contemporarie

Grantmakers in the Arts

Seeing the Unseen: Color as Currency

Leading Through Change

Establishing Creative Education as a Fundamental Right

Place + People + Music = Community Bonding and Social Capital

The Arts Are Not Far From the Systems that Impact Community Development

Sixty Inches From Center

Parts of the Process: An interview with the director and cast of Buy Sell Trade

BSA Gold on Crafting a Creative Path in Mysterious Times, Artist Interview

LVL3

Xan Phillips, Artist Interview

Journals

(Forthcoming) Spirit Surrendered Surrealism: The Language of the Black Diaspora, International Journal of Surrealism

Reflection on Shannon T. Lewis’s, “Seals of the Habitual World,” 2022, BES Journal: A Year in Black Art

Exhibition Catalogs

ReSOURCE: Art and Resourcefulness in Black Chicago, Exhibition Catalog (Co-editor), South Side Community Art Center

(Forthcoming) Beyond Frames: Black Women Collectors Shaping Cultural Heritage in Chicago, Exhibition Catalog (Co-editor), South Side Community Art Center